anatoly.vtheatre.net/dramaturg
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Martyrdom: The only way a man can become famous without ability. -- George Bernard Shaw
Zero Year : Theatre in "Century 21" ? [ THR413 ] The Cambridge Companion to Beckett 0521424135 This book provides thirteen introductory essays on every aspect of the work of Samuel Beckett, paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the "trilogy" and Murphy). Further essays tackle his radio and television drama, his theater directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. A chronology of Beckett's life, a list of French and English titles and a list for further reading provide additional reference material. Images of Beckett * 0521822580 *
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2005 Fall -- THR215 Dramatic Literature :
Part 3. Chekhov (Cherry Orchard) and High Modernism
I. II. III. IV. V.playwrighting.net -- group?Practical Points to Keep in Mind While Working with a Script
* Discovering structure in a script is discovering how each part fits with another into the whole and how each part serves some functional motive.
* Be wary of the "bright idea" analysis approach, reducing the play to one idea or metaphor instead of allowing it to be a complex, fragmented suggestion to the audience.
* Always keep conflict in mind - conflict is what is basic - drama is the process of resolving conflict and dramatic action is the play resolving itself.
* The important perception in dramatic analysis is seeing the conflict inherent in the play.
* Conflict creates characters, they grow out of the conflicts within the play. The desires, the wants, of the characters produce the spines of the characters.
* All elements in a dramatic production should exist to make the conflict visible in time and space.My Main Sites (clickable new windows):
[dramaturgy pages]
Spring 2008 Stoppard "R/G are Dead" [text]
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| From plays |
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2005-2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
Film-North : Stoppard'08