Martyrdom: The only way a man can become famous without ability. -- George Bernard Shaw
Zero Year : Theatre in "Century 21" ? [ THR413 ]
The Cambridge Companion to Beckett 0521424135 This book provides thirteen introductory essays on every aspect of the work of Samuel Beckett, paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the "trilogy" and Murphy). Further essays tackle his radio and television drama, his theater directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. A chronology of Beckett's life, a list of French and English titles and a list for further reading provide additional reference material.
Images of Beckett * 0521822580 *
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(c)2004-2005 *
2007 class : title * notes * ps *
Summary
Play Analysis 10 (main) Points
1. First impressions: notes of reactions to play on initial reading,
including images, colors (be personal).
2. Research: Summarize the most important insights you have gained
from your research into your play. Discuss specifically how your research
findings will influence your interpretation and/or production of the play.
List sources consulted (in bibliographic form).
3. One-sentence statement of action (root action/significant action).
4. Structural Analysis: identify and briefly discuss inciting incident,
each major complication (in order), major crisis (turning point), major
structural climax, major emotional climax, resolution. Give enough detail
in your analysis so that the reader can identify the point in the play
that you are talking about and why you consider this the inciting incident,
etc. For complications, note the effect of the complication on the action.
5. Brief discussion of theme. State theme clearly and support your
choice of theme with evidence from the play.
6. Brief discussion of style of the play. What choices are you making
about style for your production? Why?
7. Spine of the play--identify and discuss briefly.
8. Character Analysis--Biography, History (see act.vtheatre.net).
9. Motivational Units: Break your scene into motivational units
and number/name the units. Present this portion of the analysis in promptbook
format, with starting and ending points of each unit marked; unit analysis
should be on page facing page of text.
10. Discuss any particular directorial problems posed by the play
and the scene.
NOTES: biblio, references & ect.
Questions
* Glossary * Excellent!
Notes
2004 case study: The Taming of the Shrew + Oedipus Rex
BECKETT'S GODOT: "A bundle of broken mirrors"
Existentialism is a philosophical movement that views the individual, the self, the individual's experience, and the uniqueness therein as the basis for understanding the nature of human existence. The philosophy generally reflects a belief in freedom and accepts the consequences of individual actions, while acknowledging the responsibility attendant to the making of choices. Existentialists prefer subjectivity, and can view human beings as subjects in an indifferent and often ambiguous universe.
This is a general list of existentialist writers:
Edward Albee
Georges Bataille
Samuel Beckett
Simone de Beauvoir
Michel Butor
Albert Camus
Louis-Ferdinand Celine
Marguerite Duras
Ralph Ellison
Fyodor Dostoevsky*
Jean Genet
Andre Gide
Hermann Hesse
Henrik Ibsen
Eugčne Ionesco
Franz Kafka
Jack Kerouac
Jerzy Kosinski
Chuck Palahniuk
Alain Robbe-Grillet
Catherine Robbe-Grillet
Natalie Sarraute
Claude Simon
Jean-Paul Sartre
Philosophers:
Simone de Beauvoir
* Nikolai Berdyaev
* Henri Bergson
Martin Heidegger (Like Camus, Heidegger rejected the label existentialist.)
Karl Jaspers
Hans Jonas
* Sřren Kierkegaard (Kierkegaard died too early to be a part of the existentialist movement, and would have rejected many of the tenets of Sartrean existentialism, but was one of the first philosophers to deal with the problems of human existence in a way that is recognizably a forerunner to Sartrean existentialism.)
Walter Kaufmann
Ladislav Klíma
Emmanuel Levinas
Gabriel Marcel
Maurice Merleau-Ponty
* Friedrich Nietzsche (Like Kierkegaard, Nietzsche died too early to be a part of the existentialist movement, and in many ways differs from existentialism as we know it, but his work can be seen as a precursor to many of the developments in later existentialist thought.)
Jean-Paul Sartre
* Lev Shestov
* Max Stirner
Peter Wessel Zapffe
... [ * ] reference pages?