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XXI century : ...
Virtual Theatre? ... Hamlet Americana ? American Age : script.vtheatre.net/amcentury 2007 class -- pomo.vtheatre.net
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Williams -- Miller -- Beckett ?
thr413 PlAYSCRIPT ANALYSIS : anatoly.vtheatre.net/dramaturgy
... end of the 20th century : 3rd millennium
... Miller 2007 POV : Don't say he's a great man. Willy Loman never made a lot of money. His name was never in the
paper. He's not the finest character that ever lived. But he's a human being, and a terrible thing is
happening to him. So attention must be paid. He's not to be allowed to fall into his grave like an old
dog. Attention, attention must be finally paid to such a person
... Death of a Salesman: Tragic Myth in the Modern Theatre Memory and Dramatic Form in Death of a Salesman Point of View in Arthur Miller's Death of a Salesman The Articulate Victims of Arthur Miller Arthur Miller's Death of a Salesman and the American Dream The Salesman on the Stage: a Study in the Social Influence of Drama Death of a Salesman as Psychomachia Willy Loman and the Soul of a New Machine: Technology and the Common Man Tragic Form and the Possibility of Meaning in Death of a Salesman Death of a Salesman: in Memoriam Chronology [ Arthur Miller's Death of a Salesman Book by Harold Bloom; Chelsea House, 1988. 144 pgs. ] ... This is the 3rd page on Miller (filmplus.org/amdrama2 + script.vtheatre.net/doc/miller) -- and I still cannot get it right! t-blog and groups.yahoo.com//group/dramlit DO NOT help. The biggest problem I face there is NO (real) continuity from play to play. script.vtheatre.net/themes -- not working on it. ... style and format ? ...
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Pinter : homecoming : notes [ Harold Pinter's The Homecoming - "Glass of Water" ]
... Homo Americanus [ filmplus.org/amer ]
... "Hamlet, AK 2.0" Theatre UAF 2008
http://www.theatredatabase.com/20th_century/tom_stoppard_001.html "To be or not to be" (Japanese) --- R/G are Dead 2008
Death of a Salesman
SYMBOLISM / IMAGERY
SOCIETY
ABSURDITY OF LIFE
DEATH
EXTERNAL CONFLICTS
INTERNAL CONFLICTS
IMPORTANCE OF MINOR CHARACTERS
Biff
Linda
Happy
Ben
Charley
Bernard
Woman
PROTAGONIST
PLOT STRUCTURE
TRAGIC ELEMENT
TIME
SETTING
STYLE AND LANGUAGE
STAGING
RELATIONSHIP WITH AUDIENCE
RELATIONSHIPS
GENERAL
* Willy symbolizes the common man
* Biff's football game = a symbol of success for the future to Willy
* Ben represents all that Willy wishes the boys to be, yet his actions in the past are not firmly established. He is, for Willy, a symbol of all that is "good in the land of opportunity"
* The garden is symbolic of Willy needing to leave something behind for people to remember him by.
consumer society à pressures of advertising persuade people to acquire goods and to do so by paying for them by installments
money defines success: people are judged by the amount they acquire, and the amount of success is linked with the amount of money they have.
that is why Willy feels he has to succeed, and the only way to show his success is to acquire money and material goods.
Willy's America à land of opportunity in which ambition young people like Biff can accomplish great things
Real America; although it still may be the land of opportunity, it seems to have acquired a new set of values
countryside is different from modern consumer society: the structure of society there is much simpler and different - it is an image of an older America
Willy feels that he has to be within society yet looks back to a golden age when life was simpler.
Society in which the Lomans live is governed by people like Ben-ruthless managers who care little for the opinions of others, and in such a society the Lomans, although they only occasionally realize it, are out of place.
There are many forms of failure as well as success that are spawned by our American system. The Lomans are all an example of what life is like if you continually live in a dream world and never train yourself for anything. Ben is the exception in the Loman family. He is the only one of them to turn our successful. However, Charlie and his son Bernard were able to achieve greatness and to make the system work for them. In the end, the decision to make it in this American system is, ironically, up to the individual.
DS attempts to explore the implications of life for which men-not gods-are wholly responsible.
Willy is disturbed by the element of rapid obsolescence which is a highly oppressive aspect of life
the play in general is a study of the circumstances which affect human destiny in the moral universe
Loman's suicide is obviously intended as a gesture of the hero's victory over circumstances
it is an act of love, intended to redeem his house
The exhausted, idealistic man who has visions of a great future for his sons does not in the end come to terms with reality, but retains his hopes. To Willy, death is the only answer.
Loss of job and money defines success; by losing his job, Willy has let everyone down, most of all himself.
inconsistencies which Willy displays shows the conflict inside of him. e.g. Willy says that his car is "the greatest car ever built", but later contradicts himself when he changes his opinion to "that goddamn Chevrolet"
He has always been a figure of several faces to the boys he must be the successful father, to Linda the provider, and to himself the great salesman.
needs to believe in himself in order to survive
cannot accept the supposed hurt to his pride that a job offered by Charley might inflict upon him
lacks self assurance because of the uncertainty about his father's attitude towards him, and his doubts about his own life and future
has not found his place in society, but also realizes that he does not fit into any of the openings that society has made
is a result of Willy's lies he is undisciplined and disillusioned
sees the city as a concrete jungle, but reuses to conform to the city's demands
tries to share in Willy's ideals, and suffers great torment as she observes Willy's decline knowing that she is unable to help
Fails to understand what happens to Willy, and fails to fathom what has occurred between him and Biff, but still manages to retain a belief in the need to treat human beings properly
loyal and supportive
anger stems from her beliefs in the Loman family, and memories of happy times in the past
she is a woman struggling to come to terms with the city, her husband, and her sons
"Linda, as the eternal wife and mother, the fixed point of affection both given and received, the woman who suffers and endures, is in many ways, the earth mother who embodies the play's ultimate moral value, love. But in the beautiful, ironic complexity of her creation, she is also Willy's and their sons' destroyer. In her love Linda has accepted Willy's Greatness and his dream, but while in her admiration for Willy her love is powerful and moving, in her admiration for his dreams, it is lethal. She encourages Willy's dream, yet she will not let him leave her for the New Continent, the only realm where the dream can be fulfilled. She want to reconcile father and son, but she attempts this in the context of Willy's false values. She cannot allow her sons to achieve that selfhood that involves denial of these values"
similar to Willy - lost because he has never allowed himself to turn his face toward defeat
regular guy has a job, hopes for promotion, committed to conform
needs to pretend to more than he really is (like father like son)
likes women
never acquires Biff's ultimate self-knowledge and realization of the truth
remains the Loman that he always was, incapable of interpreting the message of Willy's failure
Willy's foil
ruthless business man, rich adventurous, not confined by any psychological restraints
acts as a mentor for Willy, Willy want Ben's story of success to happen to him
is an example of the very small population who are successful without much work the dream of everyone is to have that happen to themselves
Willy cannot understand Charley's success, his own formula seems to have broken down, and yet he can never admit this.
helps break down Willy's belief that to be well liked is the most important quality in a salesman
Biff's foil
at first makes Willy feel wanted, has made him feel as though he were the salesman that he imagines himself as being
Willy's longing to be seen as a successful man and to be placed in a position where he can reach all the to buyers is obviously connected to the woman, while it also reveals the superficiality of Willy's family life
his concern for Linda is genuine but his need for success overcomes his feelings of loyalty
Howard represents the professional business man-consideration for the firm must come first. He has no sentiment which probably accounts for his success.
Willy Loman(the common man)
Miller attempted to personify certain values which civilized men in the twentieth century share.
symbolizes the cruel paradox of human existence
seen as ritual head of his family
seeks to discover a design in the paradoxical movement of life; to impose upon it a sense of meaning greater than that conferred upon it by reality.
his life's experiences seem to intermingle and disturb the logical flow of reality
views his life as a totality. conventions of time and place are not relevant for him.
has high ideals-perhaps unattainable ones
wants to be loved by all; wants to succeed by terms that do not suit his nature; wants to leave his mark upon the world.
feels he has to succeed, and the only way to show his success is to acquire money and material goods. He does not want to face the fact that he is not earning enough.
when he finally evaluates his performance, he realizes that he has fallen far short of his goals at that point, suicide becomes an at of valor for him
follows an aesthetic, rather than a logical mode of development
represents the protagonist's attempt to reconstitute the progression of his experience
"stream-of-consciousness"
Miller does not divide his vision of reality into discrete unit. He conceives Will's mind as a place ìout of timeî, as a state in which all boundaries have been erased, in which all things are coexistent.
aesthetic progression: a reconstruction of the movement of consciousness: the perception of facts, events, and ideas; fears, passions, and superstitions; hope, dreams, and ambitions, in their various stages of maturity and immaturity.
Return to the past in Willy's mind happens because:
the family is all important to him
he is becoming deranged, and it portrays his frame of mind to the audience
shows the extent of Willy's disillusionment
flashbacks reveal the truth
adds to understanding of characters and relationship development
The play is divided into three main parts, Act I, Act II, and the Requiem.
Each section takes place on a different day in present-day. Within Act I and Act II, the story is presented through the use of Willy's flashbacks. This use of flashback is fundamental to the structure and understanding of the play.
The story starts at present-day and Willy then lapses in and out of the past. Each flashback is somehow related the present. Very often, the contents of the flashback offer essential background knowledge for understanding why the present-day problems in the Loman family are occurring. For example, when Willy is thinking about Biff and Biff's problems, Willy is transported to the summer of Biff's senior year. The events that took place in the past expose for the reader the situations that have led up to the present-day boiling point in the Loman household.
The enactment of his suffering, fall, and partial enlightenment, provokes a mixed response: that anger and delight, indignation and sympathy, pity and fear which Aristotle describes as "catharsis"
tragic feeling is evoke when we are in the presence of a character who is ready to lay down hin life, if need be, to secure one thing-his sense of personal dignity
Is Willy a tragic hero?
Yes
Miller argues that tragedy is not restricted to kings and queens
the common man is capable of heroism and tragedy
Miller's tragedy = The result of an individual's quest for personal dignity and occurs when an individual attempts to evaluate existence justly.
tragic flaw = an unwillingness to submit passively to the established order and values
in Willy's descent, there is a tragic paradox; for as he moves towards inevitable destruction, he acquires that knowledge, that sense of reconciliation, which allows him to conceive a redemptive plan for his house
Loman, the contemporary her, embarks upon a most courageous Odyssey: the descent into the self, where he engages his most dangerous enemy, himself.
No:
In the traditional sense, Willy is neither noble nor heroic
does not measure up to the stature of a great and good man
a small man, a mere failure who does not have the sufficient grace to warrant universal concern
doesn't have just one tragic flaw - he has many (disloyal, headstrong, short tempered, proud, false, etc)
common man is not of high stature
views his life as a totality. conventions of time and place are not relevant for him.
everything that brings joy for Willy is associated with the past
set in twentieth-century industrial society, complete with apartment blacks, financial difficulties and pressures to succeed.
East Coast America
Willy's America - land of opportunity in which ambition young people like Biff can accomplish great things
Real Americaà although it still may be the land of opportunity, it seems to have acquired a new set of values
"American drama" attempts to record the kinds of crisis that plagued their times
because the play is about Willy's search rather than the socioeconomic environment in which his search takes place, the play's setting is scrupulously devoid of detailed reminders of place and time.
Ben's remarks, the flute music, and the voice of the Woman illustrate Miller's concept that everything exists at the same time-at least within the human mind.
The Salesman image was from the beginning absorbed with the concept that nothing in life comes next, but that everything exists together and at the same time within us; that there is no past to be brought forward' in a human being but that he is his past at every moment and that the present is merely that which his past is capable of noticing and smelling and reacting to.
Music: sets the mood
opening stage direction "a melody is heard, played upon a flute. It is small and fine, telling of grass and trees and the horizon.' flute is an expressionist device
flute is an instrument associated with nostalgia can be heard playing when Willy begins to imagine a happier life in the past
at times of promise of better things to come in the future, the music is "gay and bright' creating a mood on the stage
"raw, and sensuous music' during the "woman' scenes
Light
Apartments are surrounded by "an angry glow of orange'...represents the anger of people who fall in the city, who are deprived of promise, who, like Biff, are angered by the way of life.
Willy lives closer to our experience than many protagonists, he is struggling with the pressures of twentieth century life: of money, of the city, of the family, of the job, while his weaknesses are those which ordinary humans share. Loneliness, the inability to decide exactly what one wants, the breakdown of communications btw the two generations, are all part of our lives to some extent. Miller shows that man is isolated, and, even though he struggles, the may be faced with impossible odds.
relationship between Willy & Biff (father and son)
(a) Biff is the favorite son, and yet cannot live up to what Willy wants for him, nor can he really share Willy's ambitions for the future
(b) gap of generations between father and son, a gap of ideals and one which Willy comes to see as the play progresses
(c) Willy is unable to face the fact that Biff will never become a great man
(d) Willy's hopes are so closely associated with Biff that he seems unable to remember for long that Biff is a mature man, supposedly capable of making his own decisions.
DS is a statement about the nature of human crises in the twentieth century which seems, increasingly, to be applicable to the entire fabric of civilised experience
sensitivity of it's myth: critical relationship of its central symbol-the salesman-to the interpretation of the whole of contemporary life. In this image, Miller brings into the theatre a figure, who is, in our age, a kind of hero- a ritual representative of an industrial society.
It is its intimate association with our aspirations which give to the story of Loman an ambiguous, but highly affecting, substratum of religious, philosophical, political, and social meaning.
the play grew from observations of ordinary life: a simple frame house filled with children who will grow and leave; a house that will one day be full of strangers.
It is about the fabric of family life: the day-to-day banter among family members, as well as the moments of intense joy and sorrow.
About failure and disillusionment, a boy's belief in his father and a father's dream for his sons and himself are sadly crushed.
also celebrates humanity and the love between father and son.
moral ignorance is the most serious and most common indictment against humanity in our time