H : What a piece of work is a man. How noble in reason, how infinite in faculty. In form, in moving, how express and admirable. In action, how like an angel. In apprehension, how like a God. The beauty of the world. The paragon of animals. And yet to me, what is this quintessence of dust?

see calendar ! Part I : 1 * 2 * 3 * 4

... Christ as Drama : Oedipus II (Hamlet)

... homework ( my theatre diary, thoughts )

topics submission : [sample]

I’ve chosen two that represent the point of view of the character in Hamlet that most represents the story. These two are direct foils to the main character. They’re Marcellus and Horatio; they play off opposite the other two side characters Rosencrantz and Guildenstern, mostly because they have nearly equal parts in the play and participate in equal share to the main cast. Both groups partake in our hero’s welfare, but Marcellus and Horatio are the first on scene and put firm ground under the hero to keep him from completely flying off the handle. Horatio has the most stand ins on his part to play directly to Hamlet more than the others. His lieges are more faithful and up front with him more than his two “best friends” are, those two nearly get Hamlet killed, but behead themselves in the just. The just being a fool to be taken by false words, to a knave of lack respect of others, than a grave of a proud fool, that foreshadows a death of four or five, lastly to a lady placed there from the false wrongs of the first fool that it was indented for. Ah, now that’s the rub.
_student Robbie Barbieri

Two and TWO [ officers vs. scholars ? ]

Oedipus : Creon and Priest [ men of action and men of intellect ].

... Sophocles, Oedipus Rex

Describe the exposition revealed in the Prologue.
Create a staged reading of the debate between Kreon and Oedipus in scene ii. Discuss the use of logic and reason by each character.
Explain Teiresias’s cryptic dialogue. What prevents him from speaking plainly?
Discuss Oedipus’s journey toward the truth of his biography. What human instincts prevent him from "seeing" the truth?
Describe the acts of violence that occur offstage. How would you stage these events today?
[ assignments ]

... * Peter Brook, The Play Is the Message . . . [t-book] Shakespeare Case [ Element #3 in Poetics ] Cast of "Two Gents" to present the play in our class -- when? [ calendar ]

...


lesson 4 : overview

Christianity and Theatre : Love-Hate (Ritual 2.0)
... Inner Conflict is the main CONFLICT in MAN (Goog and Evil, gods?)

structure [ Aristotle ]

How NEW Plot/Action is introduced

NEW Hero

... Thought and SIN [ Many Protestants teach that, due to original sin, man has lost any and all capacity to move towards reconciliation with God - Was S. a Catholic? ]

* The Greek word hamartia (ἁìáñôßá) is usually translated as sin in the New Testament. In Classical Greek, it means "to miss the mark" or "to miss the target" which was also used in Old English archery.

... [ sin -- thought/crime : discuss ]

p.351 :

some characteristics of the revenge tragedy:

... wed. 9.19.07 : from my calendar [ Oedipus Week ]

Oedipus:
http://shows.vtheatre.net/oedipus/chorus.html
Hero and Men
Gods and Man
Conflicts (main) list
Themes
"Best monologues" (my choice) -- assignment [ monologue study in acting classes, how to break it down ]

Aristotle Take 2 --

... The Poetics :

"Elements of Drama" (including Texture: Language, Music, Spectacle)

PoMo (our interpretation) :

HamletY2K[w] : The film is notable for its modern setting and inclusion of modern technology such as video cameras, Polaroid cameras, and surveillance bugs. For example, the ghost of Hamlet's murdered father first appears on closed-circuit TV. Also much of the original dialogue is cut from the script in order to suit the modern day surroundings. Much of the remaining dialogue focuses on Hamlet's relationship with his mother and Claudius. [ Directed by ]

Filming Oedipus Tyrannos

Consider how you would film this play--or how Hollywood might. Given today's special effects, the hanging and the blinding could be staged directly and would not have to be simply reported by a horrified messenger. How much of Oedipus' life would you tell? Would you flashback to the birth, the exchange at Mount Cithaeron, any of his life at Corinth, his visit to Delphi, the fight where three roads meet, his confrontation with the Sphinx, accepting the throne of Thebes, his life with Jocasta, the plague, the investigation?

[ assignment for Dramlit 2007 ? ]

... [ ]