stagematrix.vtheatre.net: before 2009 : 2005 pages -- UAF Play fest * 2004 * Playscript Notes * biblio * Chekhov 5 * cover page * playwright * references * * March 2006: Go.dot -- 100 years since Sam Beckett's birth * * Caligari 2009 - Lul 2010 archive page * thr blog Film Directing Analysis Theory F-Glossary Concept Play Write Plays Wright Classes Mining Film Film Books Acting101 BioMechanics Method for Directors StageMatrix: Directing Script Analysis biblio appendix links list new faq glossary 2008 -- ↑ Grab this Headline Animator blogsearch.google.com www.flickr.com anatolant's theatre photoset ... I collect with vodpod

Fall: Bedford Drama [ advertising space : webmaster ] Drama ** Hamlet2001 SHOWS: 12th Night stagematrix.vtheatre.net: before 2009 : 2005 pages -- UAF Play fest * 2004 * Playscript Notes * biblio * Chekhov 5 * cover page * playwright * references * * March 2006: Go.dot -- 100 years since Sam Beckett's birth * * Caligari 2009 - Lul 2010 THR121 Fundamentals of Acting Textbook Spring 2003: Acting in Person and in Style $63.55 Subscribe to my Open Class @ 3sisters THR221 Intermediate Acting (BM) Textbook Spring 2003: Actors on Acting Subscribe to my Open Class @ 12night Spring 2003: THR331 Fundamentals of Stage Directing Textbook: The Director's Eye Subscribe to my Open Class @ Directing! THR334 Film & Movies Textbook Spring 2003: How to Read a Film Subscribe to Open Class @ 200x Aesthetics THR215 Dramatic Literature archive Summary 2004 case study: The Taming of the Shrew + Oedipus Rex Questions "200 words" main points: Your name: Intelligent theatre major Name of Play: Conflict: Action: Climax: Dramatic Question: Inciting Incident: Notes 200 Words Post (after reading each play): Paragraph 1: Plot Summary -- Describe in one paragraph the storyline of the play (six or seven sentences). Paragraph 2: Theme(s) (Meaning or premise) -- What is the playwright saying to us? What is the point of the story or plot? What comment is the writer making about society? Support your theme statement from an action, dialogue or scene from the play. Paragraph 3: Form -- tragedy, comedy, melodrama, or tragicomedy? Why you believe it is a particular type of play by using examples from the play (refer to definitions in texts to justify your selections). Paragraph 4: Conclusion -- Discuss the play's universality. Will it withstand time? 100, 1000 years? Why? Personal Opinion (Summary). brockett "Life is a moderately good play with a badly written third act" ~ Truman Capote "Those who stand for nothing fall for anything" ~ Alexander Hamilton 2004 Dramlit textbook * * 2008 : directing: StageMatrix & acting: BioMechanics * 2006: Beckett Year! From theatre [History] Periods : 1 * 2 * 3 * 4

Playscript Analysis & Dramatic Literature

What about the old fashion way -- Hamlet?

* Fall 2003 THR413 (see new script.vtheatre.net/413 subdirectory)

Three Parts: Craft, Art, Theory

Drama Analysis for Theatre Majors

[ I will try to move most of the Craft Pages (composition, exposition and etc.) to script.vtheatre.net/215 ]

First, read vtheatre.net/200 -- core aesthetics!

ShowCases -- selected playwrights!

8.31.04 * THR215 will be updated * go to script.vtheatre.net/215 *

Useful Questions to Ask Yourself about a Script Under Review
1. Is there anything special about the title? Does it focus on a character, the milieu, or a theme? Is it taken from a quotation or is an allusion? Does it contain a point of view or suggest a mood?
2. Make a note of unrealistic elements and consider their meaning. Does it include documentary material and, if so, to what effect?
3. Is there a main theme? Consider the tempo of the various sections?
4. How many acts and scenes are there? What motivates the divisions of the play and how are they marked (curtains, blackouts, etc.)?
5. What are the retrospective elements of the play and are they explicit or implicit?
6. Is there secondary action and what is its relationship with the main action?
7. Consider the characters entrances and exits and how they are motivated?
8. Is there any difference between playing time (the time it takes to perform the play) and illusory time (the time the action is supposed to take)? What is the relationship between the two, if any?
9. Where is the play enacted? Is the playwright vague or exact about the environment? Is this important?
10. How does the playwright economize with the number of roles? Could any be omitted or doubled? What function do the various secondary characters have?
11. Who is the protagonist? The antagonist?
12. What are the relationships among the characters and how do they change?
13. Is the play in verse, prose, or a mixture?
14. Is the play a translation? Can you compare it to the original? With other translations? Are there significant differences?
15. Is the playwright making significant points of interpretation with the use of punctuation? With breaks and overlaps? With silence?

Next: Dramlit Intro

[ subjects : forum guests folders glossary Bedford * Craft * Art * Theory * Write ]

@1998-2001 script * Fall 2002 THR215 Dramatic Literature: subscribe to DramLit Forum * About The Book * Preface * Overview * Table of Contents * About the Author * What's New * Feature Summary * Supplements * PageOut * Credits *

Lijit Search 2005-2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
Film-North copyright. eCitations
© 2007 by vtheatre.net. Permission to link to this site is granted. books.google.com + scholar.google.com DRAMA Analysis amazon

* Use http://vtheatre.net to link to Virtual Theatre pages!

keys: endnotes : profile.to/anatoly & Anatoly Antohin